Thứ Ba, 7 tháng 3, 2017

The Facts On File Companion to the American Short Story 2nd Edition


"The Companion to Literature" series focuses on drama, short stories, novels, and poetry as they are studied in high school and college curricula. Beginning with an introduction discussing the genre and its significance, each A-to-encyclopedia contains hundreds of clearly written entries on authors, literary works and terms, themes, historical places, and more.
Engaging and jargon-free, with contributions from a team of scholars, The Facts On File Companion to the American Short Story, Second Edition is the only reference to analyze the genre as a whole. This updated edition to the award-winning original adds hundreds of new entries and more than 100,000 words, providing explanations of major critical controversies and ways to broaden the reader's interpretation of a short story. Entries new to this edition cover younger writers (such as David Foster Wallace, Dave Eggers, and Junot Díaz) and many short stories, from the canonical ("The Killers" by Ernest Hemingway and "There Will Come Soft Rains" by Ray Bradbury) to the cutting-edge ("Sea Oak" by George Saunders).
Now available in two volumes, this accessible encyclopedia features an informative introduction that surveys the history of the short story in the United States, interprets the current literary landscape, and points to new and future trends. A bibliography, list of prize-winners, thematic index, and cross-references complete this invaluable guide.
Coverage includes:
Author biographies and bibliographies
Synopses and analyses of major stories
Literary terms, themes, and motifs
and more.

The Facts On File Companion to the American Novel


Grade 9 Up–This A-to-Z reference contains 450 biographical overviews of American and foreign-born authors living in the United States and 500 signed analytical essays on their novels. The works chosen are those most studied, or are significant for the genre.
The time span ranges from 18th- and 19th-century writers such as Charles Brockden Brown and Harriet Beecher Stowe to contemporaries such as Cormac McCarthy and Anne Tyler. There isn't an analytical essay for each author profiled; for example, the entry on Dan Brown does not include a separate essay about his best seller The Da Vinci Code. Works by foreign-born authors include Bharati Mukherjee's Jasmine and Cristina Garcia's Dreaming in Cuban.
Most Pulitzer and National Book Award winners are included, and there is a section of genre essays about novels by African-American, Asian-American, Latino, and Native American authors. Biographical sketches contain some personal information but focus on the writers' careers and their work. Essays on specific novels neatly describe social context, themes, genre, and critical reception. The last volume includes a list of novels; sources, including Web sites; and an index with plenty of cross-references. Libraries will value this compact set for including classics as well as hard-to-find contemporary authors.–Vicki Reutter, Cazenovia High School, NY

The Facts On File Companion To Classical Drama

The Facts On File Companion to Classical Drama was written for those without any previous introduction to classical studies or the ancient Greek or Latin language.
In this book, classical drama is taken to refer primarily to plays (tragedies, comedies,and satyr plays)
 written by Greek and Roman authors between the sixth century B.C.E. and the second century C.E.
Understanding classical drama is a daunting task. Of the thousands of plays written during this period, only about 85 survive in more or less complete form, and though we know the names of some 300 classical playwrights, the surviving 85 plays can be attributed to only eight writers: Aeschylus, Sophocles, Euripides, Aristophanes, Menander, Plautus, Terence, and Seneca.



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The Facts On File Companion to British Poetry Before 1600

The Facts On File Companion to British Poetry before 1600 is part of a four-volume set on British poetry from its beginning to the present.
This particular volume covers poetry written during the Anglo-Saxon, Middle English, and early Renaissance (Tudor) literary periods in the area traditionally referred to as the British Isles, which includes England, Ireland, Scotland, and Wales.

The Facts On File Companion to British Poetry 1900 to the Present

In 450 entries ranging in length from 300 to more than 2,500 words each, "The Facts On File Companion to British Poetry: 1900 to the Present" is a new A-to-Z encyclopedic guide that introduces high school and college students to some of the best-loved 20th and 21st-century British poets and poetry. Appendixes include a general bibliography and a glossary of poetic terms.
TABLE OF CONTENTS
Introduction
A-to-Z Entries
Appendixes
I. Glossary
II. Selected Bibliography
III. List of Contributors
Index

The Facts On File Companion to British Poetry 17th and 18th-Centuries

The Facts On File Companion to British Poetry, 17th and 18th Centuries takes its place within a four-volume set on British poetry from the beginnings to the present. As the other volumes do, this one considers British poetry to include that written by English, Irish, Scottish, and Welsh poets.
Entries address a number of topics, including poets, individual poems, themes important to the period’s poetry (such as carpe diem), genres and forms important in the period (such as the elegy, aubade, and ballad), and poetic groups and movements (including the Cavalier poets and the Tribe of Ben).
The selection of poets and poems covered in the volume was based on their appearance in high school and college anthologies and textbooks. In addition, other less popular poems were chosen for their historical, cultural, or aesthetic significance. Entries avoid difficult jargon, making this work accessible to students of literature and general readers, but the aim of this book is to provide not only basic information but also appropriate critical commentary.

The Facts On File Companion To 20th-Century American Poetry


This A-Z compendium of 500-plus signed entries presents an eclectic approach to the study of twentieth-century American poetry, reflecting the wide variety of poetic styles, schools, and movements of the century.
Kimmelman, a professor of English at the New Jersey Institute of Technology and himself a poet, draws upon the expertise of 244 academic contributors from all parts of the country and abroad. Analysis by contributors from academic institutions in Australia, Canada, Germany, Guatemala, Israel, Singapore, Spain, Taiwan, and the U.K. lends unique cross-cultural perspectives.
Entries range in length from 500 to 2,000 words, and each has a bibliography. In addition to individual poets, coverage encompasses important poems and collections as well as topics such as Caribbean poetic influences, Deep image poetry, Fugitive/Agrarian school, and Poetry journals. Of note is the book's expert inclusion of African American poets and poetry. Entries offer extensive, authoritative interpretations of well-known poets Maya Angelou, Rita Dove, and Langston Hughes, to name three, and entries for lesser-known writers like the late modernist African American poet Melvin Tolson.


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